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Fall 2024

The final project for my fall semester studio class was to create a draped garment that was inspired by two unrelated prompts. I chose glamour and varsity.

Black Background

Research

To start off my project I wanted to culminate a variety of old Hollywood looks and classic varsity jackets to have a good point of reference to come back to when brainstorming. Some things I wanted to capture from the glamour references was the cinched waist and the form hugging drapes that show up time and time again. For the varsity theme I wanted to incorporate a sailor collar or the classic two panel sleeve with the ribbed cuff.

Moodboard

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Purple Curtain

Experimentation

Going into my experiment toiles I knew I wanted to capture the classic hourglass shape of the 1950's. Through some trial and error, I was able to create a pleat pattern that I was satisfied with. I thought drafting something else for the bodice portion with the varsity theme would be too much clutter, so I decided to do the two panel sleeves that many varsity jackets have.

Because of the heavy pleating the dress would need an under structure. This was pretty straight forward; I just mimicked the silhouette of my favorite toile on a full-scale mannequin and made it into a pattern. 

First toile & undergarment drape
White Waves

Problem solving

When making my toiles, to create the drape I wanted I discovered I had to create all of my heavily pleated areas on the bias and on a single layer of fabric. This helped make the pieces I was working with stretchy and more malleable allowing me to wrap them easily around the dress form. Another learning curve I had to get around was the sleeve. to figure out the panel placement I assembled a regular sleeve block and marked where I wanted the seams to land. After this I added fullness to both the shoulder and wrist by slashing and spreading to get the billowy effect that varsity jackets have.

Red Paint

Sketches

Parallel Lines

Final draft

To make my final pattern I took a very similar fabric to the type used on my final garment and mapped out my pleats on the full-sized mannequin over my base garment. I ended up with multiple sections that I took off and carefully marked where the pleats landed and their angles.

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